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 The Royal Vagabond
Opened: February 17, 1919
Cohan & Harris Theater, NYC



                                                                                             Sheet Music Cover



Original Cast:

Stephen, Prince Of Bargravia.............................Frederick Stanley
Princess Violetta..................................................Francis Demarest
Princess Helena...................................................Grace Fisher
"Hoppy" Hopkins..................................................Robinson Newbold
The Queen............................................................Winifred Harris
Colonel Petroff.....................................................John Goldsworthy
Rozello..................................................................Mary Eaton
Dradono................................................................Walter Palm
Carlotta.................................................................Dorothy Dickson
Josette..................................................................Edna Pierre
Capt. Dantzig.......................................................Carl Hyson


Synopsis:

Stephen, the crown prince of Bargravia, escapes from his domineering
Mother and falls in love with the innkeeper's daughter.  He's so
in love with her that he becomes the leader of a group of rebels that
meet at the tavern, just to be near her.  Joining him is his tutor, Professor
"Hoppy" Hopkins who is engaged to the Queen's lady in waiting.  The
Queen seeks to squash the rebellion and sends Colonel Petroff out to
hunt down the rebels.  At the expense of his mother, Stephen wins the
revolution and marries Anitza.


Songs From The Show:

Act I
Opera Comic Opera*
Love Of Mine
Here Come The Soldiers*
Democracy
A Wee Bit Of Lace**
Where The Cherry Blossoms Fall
Finale

Act II
Opening Ensemble
Royalty***
What You Don't Know Won't Hurt You
Messenger***
In A Kingdom Of Our Own*
Charming

Act III
Corornation Rehearsal
Good-bye Bargravia*
Specialty
Finale

  * indicates songs written by Cohan
 ** indicates songs where Cohan wrote lyrics
***indicates songs Cohan co-wrote

Critic's Corner:

"The real humor of "The Royal Vagabond," which is aptly classified as a
"Cohanized opera comique," lies in the fact that it's original absurd sentimentality
is kept constantly in view.  Mr. Cohan did not make the mistake of obliterating
the victim whom he set out to hold up to ridicule.  A good share of the melodious
score by Dr. Anselm Goetzl he retained.  The threat of the mildewed plot by
William Cary Duncan and Stephen Ivor-Szinney he carefully preserved.  But the
irreverent process of contrasting the first with his own up-to-date syncopated
numbers and puncturing the second with sophisticated comment he evoked
something that is in effect a fresh and novel style of musical comedy fun."

Louis V. DeFoe, The New York World


Robinson Newbold, Frederick Stanley,
                and Roger Gray


Cohan's Recollection:

"I revamped the score, interpolated a half dozen new numbers, rewrote the book,
twisted the story upside down, poked fun at the whole idea, turned the operetta
into a jazzy musical show, renamed it "The Royal Vagabond," and produced it
at the Cohan & Harris Theater.  It was a smashing success and everybody was
satisfied.  It took me twenty-five years to get even with the Witmarks, and that's
the way I did it."


                                                          Dorothy Dickson performs "Charming" at
                                                                             the close of Act II
Notes:

"The Royal Vagabond" gave Cohan great personal satisfaction because he
finally got to even the score with Isidore Witmark who had published Cohan's
first song, "Why Did Nellie Leave Her Home?"  When Witmark published
the song (1893), he neglected to tell the young Cohan, that he had the lyrics to
the song completely rewritten.  Now, Witmark came to the established Cohan
and asked his opinion on a new show that he was going to produce.  Cohan
rewrote the whole play (its original title was "Cherry Blossoms" and Cohan
considered it one of the worst operettas he had ever read).  Cohan quickly
turned the play into a satire on the operetta craze that had been popular
since Victor Herbert and "The Merry Widow."

Edna Pierre, Frances Demarest, &
Gladys Zell perform "A Wee Bit Of Lace"

"The Royal Vagabond" was an instant success from the minute it opened in
New York.  Audiences everywhere were humming the Cohan tune, "In A
Kingdom Of Our Own, " and laughing at the antics of Robinson Newbold
(who's intra-theatrical humor stole the show).  Cohan himself even stepped in
as Hoppy Hopkins during the troubles of the Actor's Equity Strike.  "The Royal
Vagabond" became one of the best shows of the 1919 season.


Also in the cast was Mary Eaton who went on to star in "The Ziegfeld Follies
of 1921," and 1922, as well as "Kid Boots" with Eddie Cantor.  She entered
films in the late 1920's with "The Coconuts," starring The Marx Brothers, and
"Glorifying The American Girl" (both 1929) which was one of Ziegfeld's few
forays into film.

Winifred Harris and Company